Dec 18, 2012

Stretching to Playboy: Two Rare Jack Cole Judge Cartoons (1936 and 1946)



 THE 12 DAYS of COLE-MISS: 
 DAY 5 


 12 days of NEW Jack Cole finds! 
 Posted every day until Dec. 25th 

A special holiday CHEER to our friend, writer, editor, and comics historian GER APELDOORN, for supplying today's Jack Cole finds. Be sure to visit Ger's Fabulous Fifties blog to see amazing comics and cartoons from the 50s.

One of the most significant discoveries to emerge from the multi-year research project this blog represents is that Jack Cole -- widely known as one of the masters of comic book stories in the 1940s --  had a lesser-known parallel career as a magazine gag cartoonist. When Cole left comic books in 1954 and found great commercial success as Playboy's signature cartoonist, it seemed like a miraculous re-invention of himself. In reality, what actually happened was more logically the fruition of years of hard work on Cole's part to develop himself into a valuable magazine cartoonist (and the good fortune to be in the right place at the right time). In fact, his first publications are not sequential graphic narratives in comic books, but rather one-panel gag cartoons that appeared in the pages of such nationally distributed magazines as Boy's Life (see here) and Judge.

The cover (not by Cole) of the December, 1936 issue
of Judge that  ran a Jack Cole cartoon.

It was something of a revelation to get the following 1936 cartoon from Ger Apeldoorn. All I previously had for Cole's published pre-1938 comic book work was the dozen or so cartoons he sold to Boy's Life, and the mysterious illustrated article on his cross-country bike trip (the original publication of this early article, possibly Cole's first publication, remains unknown -- see here for the article and here for details on the mystery). The following new Cole find originally appeared in the pages of the December, 1936 issue of Judge magazine. Check out that pig!

A rare early Jack Cole magazine cartoon from Judge - December, 1936

Once again, we see Cole working with hillbilly humor -- a favorite subject in his early work (check out these 1940s HiGrass Twins comic stories and his Slap Happy Pappy one-pagers). Note also that the signature Cole uses in this cartoon is different from any other signature he used in any of the known cartoons we have.

Most importantly, the discovery of this cartoon reveals how ambitiously and hard Jack Cole pursued selling his gag cartoons to the major markets. It was the very same ambition that drove Cole to relocate from his hometown of New Castle, Pennsylvania to New York City in the hopes that it would spur his cartooning career. And, so it did.

Even after Jack Cole became an established success in comic books with Plastic Man, he continued to write, draw, and submit cartoons to to the major markets. I suspect there are many more Jack Cole cartoons to be found in the pages of American magazines published in the 1940s and 1950s. Another wonderful cartoon from Ger is this pneumatic 1946 beauty, also from the pages of Judge. Here, we see Jack Cole developing his sexy girl cartoon chops, some 8 years before his Playboy success.




Jack Cole sculpts a full page statute-esque sex bomb for Judge - January, 1946
(from the collection of Ger Apeldoorn)


Where Cole's Playboy cartoons are more accomplished, with artful washes and graceful brushwork, this image is more controlled and rough-hewn. It appears that Cole may have used an airbrush for this work. If not, he is working hard to use washes to delineate light and form. This image (which also appears in Art Spiegelman and Chip Kidd’s top-notch book, Jack Cole and Plastic Man: Forms Stretched to Their Limits) --  created at the height of Cole's Plastic Man success, foreshadows the direction his career would take in a few years.

This 1946 Judge cartoon also harkens back to Cole's earlier work, as we can see in this panel featuring a similar image in stipple, from "Midnight Goes Hollywood" (Smash Comics #34, July 1942 -- available in my ebook, The Complete Jack Cole Midnight Volume Two, for sale at the right side of this blog).


In 1944, we find the sex-laden Pvt Dogtag stories. Yesterday, I shared a new Dogtag story, which features the following panels of feminine pulchritude:




It seems that drawing cutie-pies was a prime interest for Jack Cole -- and who could blame him?

Check back tomorrow as we post another rare Jack Cole find!

The 12 Days of Cole-Miss Postings:
Days 1 and 2: Jack Cole's Sexy Playboy Style Humorama Cartoon Covers (1950-60s)
Day 2: A Rare Jack Cole Playboy Style Cutie Pie Cover (1956)
Day 3: Teasing Blonde Triplets and Mad Japanese Spies (Private Dogtag 1944)

Judge Not, Lest Ye Be Cartooned,
Eel O'Brian


Dec 17, 2012

Teasing Blonde Triplets and Mad Japanese Spies in Jack Cole's Private Dogatag (1944)


 THE 12 DAYS of COLE-MISS: 
 DAY 4 


 12 days of NEW Jack Cole finds! 
 Posted every day until Dec. 25th 

Today's lump of Cole in your stocking is a whopping 9-page story from Military Comics (May, 1944). Here is another one of the extremely weird Private Dogtag stories that Jack Cole wrote and drew.

Sex had a wholesome flavor for Americans in WWII -- a healthy, robust style that seemed to go into darker areas after the war, leading to Bettie Page style BDSM. Jack Cole followed this trend, and -- to a certain extent -- fueled it. In the early 1940s, American GIs loved sexy American women (not to mention sexy European gals -- at least in the mainstream). They oogled them at moviehouses, drooled at them on calendars, and even painted them on their bomber planes. All of this was socially acceptable and a point of pride. The iconic American photograph celebrating the end of WWII shows a soldier passionately kissing a prime example of American womanhood. Given this, it's no surprise that Jack Cole's Private Dogtag stories mostly revolve around worshiping the sex appeal of American women and dissing Japanese with racist caricatures. This story of three dizzy blondes is no exception.










This is another classic identity-shifting story by Cole -- a common theme found in his work.

Check back tomorrow as we post another rare Jack Cole find!

The 12 Days of Cole-Miss Postings:
Days 1 and 2: Jack Cole's Sexy Playboy Style Humorama Cartoon Covers
Day 2: A Rare Jack Cole Playboy Style Cartoon Cover (1956)

Dec 16, 2012

A Rare Jack Cole Playboy Style Cutie Pie Cartoon (1956)


THE 12 DAYS of COLE-MISS:
DAY 3


12 days of NEW Jack Cole finds!
Posted every day until Dec. 25th

Today's Cole in your stocking offering is another resplendent Jack Cole cover. Supplied by a fellow Jack Cole fan, this cover is from an unknown issue of The Freelancer. It seems a safe bet that this is the back cover art to issue number 2 (1956), which featured the very informative and cool spread on Jack Cole. I've published this Freelancer article earlier in the blog,. For your convenience and continued amusement, here 'tis again:





In 1956, Jack Cole was very likely the most-admired freelancer in the American cartoon world. His breakthrough success in Hugh Hefner's Playboy was the dream of every freelance cartoonist - although few had the talent and drive of a Jack Cole. 

At the bottom of the second page of the article above, we see a note to check out the back cover to see a "typical Jack Cole cutie-pie drawn in his popular 'PLAYBOY' magazine technique."

For the first time on this blog, I'm pleased to present that back cover:


This art appears to have a faint Christmas holiday feel to it -- with the "jingle cowbell" necklace and Xmas green coloring. Alas, we have no month listed on any of these pages. In any case, although the art is done in Cole's Playboy style, there can be little doubt that he did this cartoon especially for The Freelancer, since the lovely "belle" is reading an issue of said magazine!

Many thanks to the kind reader who shared this image for us all to enjoy.

Check back tomorrow as we post another rare Jack Cole find!

The 12 Days of Cole-Miss Postings:
Days 1 and 2: Jack Cole's Sexy Playboy Style Humorama Cartoon Covers


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