Dec 19, 2012

Jack Cole Sells Silk to the Burlap Market: A Stunning 1955 Gag Cartoon


 THE 12 DAYS of COLE-MISS: 
 DAY 6 


 12 days of NEW Jack Cole finds! 
 Posted every day until Dec. 25th 

Mirth was a digest-sized monthly offering a musky sheaf of mostly sexy girl cartoons of widely varying quality. This cheapo magazine was part of a line of similar joke books and digests on cars and watersports (not what you may be thinking -- water skiing and boating), including titles like Smiles and A Pocketful of Pepper. We are slowly discovering that Jack Cole sold a pile of great gag cartoons to the publisher, H-K Publications, Inc. in late 1954 and possibly also at various times in 1955. This would be the period when Cole left comic books and applied himself fully to a career as a magazine cartoonist. 

In his 1956 Freelancer article about his cartooning career (reprinted in this blog here), Jack Cole wrote of having limited success in 1954-55 with the higher paying markets and having to lower his sites: 
"After a few pointed hints from editors, it finally dawned on me. You CAN'T sell burlap in a nylon market, so I retreated to the minor class magazines (bless them all) where I should have $TARTED in the first place..."
H-K publications appears to have been a publishing company of Joseph Hardie and Raymond Kelly, who also co-founded the Centaur line of comics in the late 1930s and early 1940s. Cole's first comic book work appeared in various Centaur comics (supplied by the Harry Chesler shop, where Cole started out when he moved to New York in 1937). It's possible that Cole had a connection with H-K Publications, although it would have been more than 15 years since his work graced the pages of Hardie and Kelly's books.

H-K also published Comet -- an amalgamation of comics and prose --  in the early 1940s. In the mid forties, they appear to have inaugurated Mirth. In the 1950s, H-K published such illustrious titles as Boat Sport, Auto Craftsman, and Outboard Dealer News. It's possible that a Cole cartoon or two might be found in the pages of the non-girlie H-K magazines. After all, Cole did cartoons for a Stamp collecting magazine during this time, so why not for Speed Mechanics or Water Ski?

Last Christmas, my stocking overflowed with Cole when I discovered a scan on the Web of an issue of Mirth (March, 1955)  that contained a whopping 12 Jack Cole cartoons (click here to see those great cartoons). This Christmas, I have discovered an additional 14 previously forgotten Jack Cole cartoons published in various H-K publications from 1955. I'll be sharing that lot over the next few days, as well as a few other gems from the Cole-mine.

Today's Cole in your stocking comes from the pages of the October, 1955 issue of Mirth, the only Cole cartoon found in that issue. This is a paper scan from my own collection. Although the cartoon is unsigned, there can be no doubt this is the work of Jack Cole. The beautifully stylized Laurel and Hardy Music Box staircase winding the up the side of the cliff, and the modernistic home embedded into the edifice are drawn with the typical mix of precision and abstraction that characterizes the work of Jack Cole in the mid 1950s. The entire cartoon is a tour de force layout of positive and negative space. Surely this ambitious cartoon was originally meant for a higher market, which is perhaps a clue as to why it is unsigned.





See also this post at M.O.D.M. blog on H-K magazines.

The 12 Days of Cole-Miss Postings:
Days 1 and 2: Jack Cole's Sexy Playboy Style Humorama Cartoon Covers (1950-60s)
Day 3: A Rare Jack Cole Playboy Style Cutie Pie Cover (1956)
Day 4: Teasing Blonde Triplets and Mad Japanese Spies (Private Dogtag 1944)
Day 5: Stretching to Playboy: Two Rare Jack Cole Judge Cartoons (1936 & 1946)

Wishing You the Best,
Paul Tumey


Dec 18, 2012

Stretching to Playboy: Two Rare Jack Cole Judge Cartoons (1936 and 1946)



 THE 12 DAYS of COLE-MISS: 
 DAY 5 


 12 days of NEW Jack Cole finds! 
 Posted every day until Dec. 25th 

A special holiday CHEER to our friend, writer, editor, and comics historian GER APELDOORN, for supplying today's Jack Cole finds. Be sure to visit Ger's Fabulous Fifties blog to see amazing comics and cartoons from the 50s.

One of the most significant discoveries to emerge from the multi-year research project this blog represents is that Jack Cole -- widely known as one of the masters of comic book stories in the 1940s --  had a lesser-known parallel career as a magazine gag cartoonist. When Cole left comic books in 1954 and found great commercial success as Playboy's signature cartoonist, it seemed like a miraculous re-invention of himself. In reality, what actually happened was more logically the fruition of years of hard work on Cole's part to develop himself into a valuable magazine cartoonist (and the good fortune to be in the right place at the right time). In fact, his first publications are not sequential graphic narratives in comic books, but rather one-panel gag cartoons that appeared in the pages of such nationally distributed magazines as Boy's Life (see here) and Judge.

The cover (not by Cole) of the December, 1936 issue
of Judge that  ran a Jack Cole cartoon.

It was something of a revelation to get the following 1936 cartoon from Ger Apeldoorn. All I previously had for Cole's published pre-1938 comic book work was the dozen or so cartoons he sold to Boy's Life, and the mysterious illustrated article on his cross-country bike trip (the original publication of this early article, possibly Cole's first publication, remains unknown -- see here for the article and here for details on the mystery). The following new Cole find originally appeared in the pages of the December, 1936 issue of Judge magazine. Check out that pig!

A rare early Jack Cole magazine cartoon from Judge - December, 1936

Once again, we see Cole working with hillbilly humor -- a favorite subject in his early work (check out these 1940s HiGrass Twins comic stories and his Slap Happy Pappy one-pagers). Note also that the signature Cole uses in this cartoon is different from any other signature he used in any of the known cartoons we have.

Most importantly, the discovery of this cartoon reveals how ambitiously and hard Jack Cole pursued selling his gag cartoons to the major markets. It was the very same ambition that drove Cole to relocate from his hometown of New Castle, Pennsylvania to New York City in the hopes that it would spur his cartooning career. And, so it did.

Even after Jack Cole became an established success in comic books with Plastic Man, he continued to write, draw, and submit cartoons to to the major markets. I suspect there are many more Jack Cole cartoons to be found in the pages of American magazines published in the 1940s and 1950s. Another wonderful cartoon from Ger is this pneumatic 1946 beauty, also from the pages of Judge. Here, we see Jack Cole developing his sexy girl cartoon chops, some 8 years before his Playboy success.




Jack Cole sculpts a full page statute-esque sex bomb for Judge - January, 1946
(from the collection of Ger Apeldoorn)


Where Cole's Playboy cartoons are more accomplished, with artful washes and graceful brushwork, this image is more controlled and rough-hewn. It appears that Cole may have used an airbrush for this work. If not, he is working hard to use washes to delineate light and form. This image (which also appears in Art Spiegelman and Chip Kidd’s top-notch book, Jack Cole and Plastic Man: Forms Stretched to Their Limits) --  created at the height of Cole's Plastic Man success, foreshadows the direction his career would take in a few years.

This 1946 Judge cartoon also harkens back to Cole's earlier work, as we can see in this panel featuring a similar image in stipple, from "Midnight Goes Hollywood" (Smash Comics #34, July 1942 -- available in my ebook, The Complete Jack Cole Midnight Volume Two, for sale at the right side of this blog).


In 1944, we find the sex-laden Pvt Dogtag stories. Yesterday, I shared a new Dogtag story, which features the following panels of feminine pulchritude:




It seems that drawing cutie-pies was a prime interest for Jack Cole -- and who could blame him?

Check back tomorrow as we post another rare Jack Cole find!

The 12 Days of Cole-Miss Postings:
Days 1 and 2: Jack Cole's Sexy Playboy Style Humorama Cartoon Covers (1950-60s)
Day 2: A Rare Jack Cole Playboy Style Cutie Pie Cover (1956)
Day 3: Teasing Blonde Triplets and Mad Japanese Spies (Private Dogtag 1944)

Judge Not, Lest Ye Be Cartooned,
Eel O'Brian


Dec 17, 2012

Teasing Blonde Triplets and Mad Japanese Spies in Jack Cole's Private Dogatag (1944)


 THE 12 DAYS of COLE-MISS: 
 DAY 4 


 12 days of NEW Jack Cole finds! 
 Posted every day until Dec. 25th 

Today's lump of Cole in your stocking is a whopping 9-page story from Military Comics (May, 1944). Here is another one of the extremely weird Private Dogtag stories that Jack Cole wrote and drew.

Sex had a wholesome flavor for Americans in WWII -- a healthy, robust style that seemed to go into darker areas after the war, leading to Bettie Page style BDSM. Jack Cole followed this trend, and -- to a certain extent -- fueled it. In the early 1940s, American GIs loved sexy American women (not to mention sexy European gals -- at least in the mainstream). They oogled them at moviehouses, drooled at them on calendars, and even painted them on their bomber planes. All of this was socially acceptable and a point of pride. The iconic American photograph celebrating the end of WWII shows a soldier passionately kissing a prime example of American womanhood. Given this, it's no surprise that Jack Cole's Private Dogtag stories mostly revolve around worshiping the sex appeal of American women and dissing Japanese with racist caricatures. This story of three dizzy blondes is no exception.










This is another classic identity-shifting story by Cole -- a common theme found in his work.

Check back tomorrow as we post another rare Jack Cole find!

The 12 Days of Cole-Miss Postings:
Days 1 and 2: Jack Cole's Sexy Playboy Style Humorama Cartoon Covers
Day 2: A Rare Jack Cole Playboy Style Cartoon Cover (1956)

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