An Unpublished 1940 Sub-Zero Cover by Jack Cole

Here's a super-cool rare piece of previously unpublished early superhero art by Jack Cole that provides a small revelation about his early career. It's a cover rough featuring Sub-Zero Man, a character that Jack Cole is not known to have ever drawn.

"What's a cover rough?" You may be asking.

In the cartoon and comics biz, a "rough" is simply a preliminary version of a finished piece of art. It's done to give the publisher an idea of where the artist is headed with the piece, and allows for adjustments to be made. This is a common practice, even today. It saves the artist time, and it makes sure the publisher gets what they want.

The files and archives of old comics publishers are probably filled with unpublished cover roughs. At some point in the past, the comics historian and writer Ron Goulart appears to have gotten access to the files for a 1940s  comics packager called Funnies, Inc., and he photocopied from these files a rare, previously unknown cover rough by Jack Cole.  As you may know, Ron wrote Focus on Jack Cole (Seattle: Fantagraphics Books, 1986)



Decades later, Ron Goulart put the photocopy (which was never published) up for sale on ebay, and I bought it to share with the world's Jack Cole fans. Feel free to thank me. :) Here's the art:

Jack Cole's unpublished cover rough for Sub-Zero Man. January 1940
(From the collection of Paul Tumey)

Ah, that beautiful pointed exclamation mark!

Information on the art identifies it as a cover rough and tells us it was drawn by Jack Cole for Novelty Press. The art has a date stamp of  January 15, 1940. We know that Jack Cole wrote and drew a few comic book stories for Novelty Press that were published in the early 1940s. These stories appeared in Target Comics Volume 1, Number 1 through Volume 1, Number 4 (the January, 1940 through May, 1940 issues). The stories were "bigfoot" style humor features called The Higrass Twins.

The splash page of Jack Cole's HiGrass Twins story from Target Comics Volume 1, Number 1 (January, 1940)

It's interesting to know that Cole was also developing a superhero feature for packager Funnies, Inc. (who sold to Novelty Press -- confusing, isn't it?).  Also in early 1940, he created a superhero for MLJ called The Comet. Note how similar the pose is in this splash panel below to the Sub-Zero Man's pose above.

Jack Cole's second Comet story, from Pep Comics #2, MLJ - February, 1940)

Clearly, around this time, Cole was developing his own approach to an exciting visual depiction of a superhero in flight. His early solutions are almost pornographic, with his characters wearing skin-tight suits that reveal every curve and muscle of their taut buttocks. Despite his name, Jack Cole's Sub-Zero Man is well, kinda hot.

It's also interesting to compare the Sub-Zero art with the black and white ink wash cartoons Cole published in Boy's Life magazine in early 1940:


In 1939 and 1940, Cole had developed a commercially viable black and white ink wash technique, that included using white paint on top of the black ink to indicate sound and motion. Both his superhero and his humor cartoon work of this period vividly depict bodies flying through the air. His work of this period was an important stepping stone to his creation of Plastic Man, his masterpiece.

However, the newly surfaced 1940 Sub-Zero cover art raises as many unanswered questions as it answers. The biggest question is: did Jack Cole create the character of Sub-Zero Man? Did he also create a Sub-Zero story to accompany this cover?

Even though no Cole-drawn Sub-Zero stories exist, the character was indeed published in Novelty Press comics, a few months after the date of this art. The first appearance was in Blue Bolt Volume 1, Number 1 (June, 1940), which featured work by Joe Simon (of Simon and Kirby). Here's the first Sub-Zero story, signed by a "Larry Antonette." Even though the finished art is not by Cole, it does have the feel of his early superhero work, with manic energy, huge natural disasters, vindictive heroes, and bizarre fates for wrong-doers. See what you think:










I'm sure that Mr. Mason Moray, the eminent panelologist, could shed some light on aritst Antonette's life and career -- he seems to know reams of information about the obscure creative talents that worked in 1940s American comics. But, the really interesting artist to work on Sub-Zero is Golden Age great Bill Everett. 

Bill Everett's first Sub-Zero story from Blue Bolt Vol. 1, Number 5 (October, 1940)
Did you catch the similarity between the names of Sub-Zero and Everett's most famous creation: The Sub-mariner (first published in October, 1939 -- eight months prior to Sub-Zero's first appearance). And how about this: another feature in Blue Bolt was called Dick Cole -- and Jack Cole's brother was named Dick. Is any of this connected? Was it an in-joke? Did Cole write some early superhero material for Funnies, Inc. that was later developed by others? 

We know Jack Cole was prolific, ambitious, and hard-working -- so could there be yet more unpublished early Jack Cole art out there, somewhere?

At this point, these questions must go unanswered.

But, we can certainly appreciate the raw, primal ZOOM power of Cole's lost Golden Age superhero comic book cover!

'Till Next Time,
Paul Tumey


So where did Jack Cole get his screwball sensibility from? Be sure to check out my other blog, The Masters of Screwball Comics, where you can read the very Cole-like Dinky Dinkerton comic strip by the forgotten Art Huhta!




All text copyright 2013 Paul Tumey

12 New Jack Cole Cartoon Finds!


THE 12 DAYS of COLE-MISS: 
DAY 12  


 12 days of NEW Jack Cole finds! 
 Posted every day until Dec. 25th 

Well, fellow denizens of the dank, dusty, delirious world of old comics, it's been a fun 12 days. Every day, I've shared with you some Jack Cole cartoons and comics that are new to Cole's Comics -- and, in some cases -- pretty much new to the world. As a grande finale, here's a big pile o' Cole for your enjoyment, with notes and the usual kerfuffle.

Here's a set of Cole gems from a 1955 H-K Publications Digest. The fellows who ran H-K turn out to be same guys who published Centaur comics, where Cole started his comics career 16 years earlier. Was there a connection? Did Cole look up his old associates and sell them some cartoons? Possibly.

  First up is yet another of Cole's "searchlight" cartoons. We published one yesterday, as well.


SMILES - March, 1955 (collection Paul Tumey)
In case the joke eludes you, it's a reference to a standard song called Chlo-e (Song of the Swamp). Debuting in 1927, the song describes a lonely fellow searching for his Chloe in "the dismal swampland." Click here to hear Eva Taylor's 1928 recording of the song. And, for a piece of sublime surreal screwballism, check here's Spike Jones' deconstructed version from the 1945 film Bring On The Girls featuring the brilliant Red Ingle:




If you happen to be a fan of novelty songs, I recommend checking out Red Ingle (there's a bunch of his songs on Spotify). His recording, Serutan Yob is one of my favorite things, although it appears to be mostly the brainchild of comic genius Jim Hawthorne. But, I digress...

Getting back to Cole, the March, 1955 issue of Smiles featured nine Jack Cole cartoons! Here's another from the same issue, a comic reversal with a strong composition:

SMILES - March, 1955 (collection Paul Tumey)

Among the Cole cartoons in this issue is this "go peel a watermelon" two-page gag that ran underneath some text jokes and another gag. Many of the H-K digests of this period had 2-page spreads like this, created by various artists. I dunno about you, but I could stare at that graceful peeling for quite awhile.

SMILES - March, 1955 (collection Paul Tumey)
Ger Apeldoorn (see his great blog) has suggested that the H-K Cole cartoons might actually have been done to order, from presentation sketches Cole submitted in person. This was a common practice, and many publishers had an open house one day to the week where they would see cartoonists in person, review sketches, and (if the cartoonist was lucky) select some for finishing and purchase. I've been thinking that perhaps the piles of Cole cartoons in H-K were rejects from other mags, but perhaps not. The above cartoon, which is obviously tailored to the magazine's format and needs, suggests Ger is right.

Here's another from the same issue:

SMILES - March, 1955 (collection Paul Tumey)

And, another -- a beautifully composed and rendered gag that, in lesser hands might not be as funny:

SMILES - March, 1955 (collection Paul Tumey)

The last cartoon found in this issue is a goodie, with a a great gag and a Plastic Man style face distortion:

SMILES - March, 1955 (collection Paul Tumey)

Just in the last few days, I discovered scans (sadly low-res) of two 1960s Humorama magazines that sport Jack Cole cartoons on the covers:

September, 1963
August, 1964

Before we sign off the 2012 12 Days of Cole-Miss Event, here's a few more colored Cole Humorama cartoons, recycle as covers of early 1960s issues of Popular Jokes. These came to me as a wonderful holiday gift, from our friend Ger Apeldoorn, who received them from comics researcher Banks S. Robinson. Thanks, Ger and Banks!

Popular Jokes 5 - August 1962

Popular Jokes 11 - November, 1963


Popular Jokes 12 - February, 1964
And lastly, here's one I found on the Web:

Popular Jokes 21
That's 12 new Jack Cole finds for today -- Happy Hogandays! 

And that wraps up the 12 Days of Cole-Miss! Over the last 12 days, with the kind help of some friends, I've shared 15 new pages of Cole comics and 24 rare Jack Cole cartoons. I hope you've enjoyed it all as much as I have -- or, if you are coming to these posts post-holidaze 2012, I hope you'll click on the links below and check out some of these swell cartoons.

Yours,
Paul Hogan Tumey

Stretching Toward Playboy: Jack Cole Cartoons Grace a 1954 H-K Pulp


THE 12 DAYS of COLE-MISS: 
DAY 11  


 12 days of NEW Jack Cole finds! 
 Posted every day until Dec. 25th 

Recently, my pal the graphic novel author and comics historian Frank Young paid me a visit. I was showing him some of my latest finds and dug out the recent pile of 1950s humor digest magazines I bought from a collector. Many of these issues are marked up and have bits cut out. Some of the captions are rewritten. I suspect the collection once belonged to an aspiring cartoonist -- or even a pro who was ripping off old material.


The Paul Tumey pile of old humor mags , which includes some rare Jack Cole cartoons

I had gone through this pulpy pile earlier to sift out 11 "new" Jack Cole finds. I had a hunch that a second perusal might yield another Cole cartoon or two. Frank and I spontaneously sifted the pile, carefully reading each awful gag cartoon. Frank discovered some amazing early cartoons by Mel Lazurus, of Miss Peach fame. He also delighted in several early Thaves (Frank and Ernest) cartoons. After a dizzy hour or so, I lamented that there just wasn't any more Cole to mine from this vein. Just as I picked up an issue of Smiles and said this, I opened it at random and there, in front of me was Cole cartoon I had previously missed! I quickly sifted through the book and found two more! Score!

The cover to Smiles, Sept 1954 (Not by Cole)

I'm pleased to share with you today the three "new" Jack Cole cartoons found in the September 1954 H-K publication, Smiles. The date is interesting, because it's by far the earliest H-K Jack Cole publication date we've found, so far, about six months prior to the fabulous Cole bonanza of 23 cartoons published in March, 1955.

The first Cole cartoon in the book is unsigned, but undeniably Cole:

by Jack Cole, from Smiles, September 1954 (Collection Paul Tumey)
This sequential light beam cartoon is a concept we find in 3 other published Cole cartoons of the time., including one published in the January 1954 issue of The Saturday Evening Post (see here for that cartoon). It's a unique concept, and Cole spent some time and energy playing with it. He seemed to enjoy drawing beams of light. Many of his comic book covers and stories have light beams and pools of light used as strong design elements.

The second Cole cartoon in the book is one that cracked me up. The drawing is amusing, but the power of the gag is really in the caption.

by Jack Cole, from Smiles, September 1954 (Collection Paul Tumey)
I've read in a few interviews with Cole's colleagues that he imbibed himself. There's a letter from Cole (published in Steranko's History of Comics), written to his folks back home in which he assures them he is living clean and not touching a drop. This letter comes from early in his career, so perhaps Cole changed his ways in the years to come. he was, after all, hanging out with cartoonist Bob Wood, who was living high those daze. It's possible this cartoon is slightly autobiographical. In any case, it's a funny gag and I love the art.

The third and last Cole cartoon we find in this issue presents a performing duo and a typical Jack Cole gag drawn from a small detail of life. Fingernails, house lights, toasters and TVs -- all the common, everyday details of ordinary life were fodder for Jack's cartoon factory in the 1950s. The visual design of the cartoon, with a bold T shape and an artful line, foreshadows his Playboy cartoons.

by Jack Cole, from Smiles, September 1954 (Collection Paul Tumey)

Here's the full spread to help you appreciate how much better Cole's cartoons are than the rest of the material in these magazines:




That's all for today. Tomorrow, the last day of my 12 Days of Cole-Miss publishing event, will pull out all the stops and present a big pile of goodies. I hope everyone has a safe, sane, and enjoyable holiday season.

Cole-crazy,
Paul Tumey




Day 10: Two 1939 Jack Cole Cartoons in Colliers


All text copyright 2012 Paul C. Tumey
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