Story and pencils by Jack Cole , Inker unknown
Web of Evil #6 (Quality – Sept. 1953)
Starting with one of the penultimate titles for Jack Cole, “Orgy of Death” merges two of his obsessive themes. From stories like the Death Patrol series to his work in Playboy, Cole’s work has much to say on the subject of sex and death.
This story, despite it’s promising title, is mostly about obsession itself. This story falls cleanly into the Psychological Breakdowns category of Cole’s Web of Evil stories (for more on this, see my earlier posting here).
The story is colorfully set in a forgotten city, sort of like Shangri-La, or Carl Barks’ Tra-la-la. However, instead of a hidden utopia, we have a barbaric society from the past fixated on human sacrifice.
As the story rolls on, we learn the kindly uncle has schemed all along to throw his niece and the pilot at the blood-thirsty Pagans while he steals their gold. The obsessed archeologist Uncle reminds me very much of the corrupted French tomb raider in the first Indiana Jones movie, in that his passion has overcome his judgment and ultimately, his humanity.
The story ends with a great panel of an erupting volcano, a story element one often finds in Cole’s stories.
The art is very clean, and I suspect Cole must have done very detailed pencils for this one, although the inked finishes were done by someone else, perhaps Alex Kotzky, but my guess is someone else less talented.
The images of the giant fiery statue of Moloch resonate with Cole's CLAW stories from over a decade earlier.
All in all, a very satisfying story.
This concludes our brief look at Cole’s strange, dark last comic book stories for the Web of Evil series. Up next: one of Cole’s earliest adventure stories featuring a tight script and a dense, woodcut style of art that he may have only used once.
Belloq (the corrupt archæologist in Raiders) might actually be Belgian, rather than French.
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